Home
Fantasy
SciFi
Writings
         DreamWorld
         DreamGirl
         The End? ...
         Questions
         The Virtues of...
Literature
Movies
Links


Message Forum
Site Map
Contact Us



PatriotResource.com:
Main Index
Film Index
Film: Gladiator
Film: National Treasure
Film: The Patriot
Film: Tombstone
Films: General
Films: Fantasy
Films: SciFi
History: 1775-1781
History: September 11th
Lord of the Rings
OtherWorld: Index
TV Series: Index
TV: Battlestar Galactica
TV: Caprica
TV: Deadliest Catch
TV: Lost
TV Series: Action
TV Series: Animated
TV: BBC Presentations
TV Series: Comedy
TV Series: Drama
TV: Fantasy/SciFi
TV Series: Western
TV Series: Reviews
WCA Alumni

     J.R.R. Tolkien's The Lord of the Rings has many of the elements of a fairy tale or legend. The story boils down to black and white, good versus evil. The heroes are of such strong, untarnished character that both child and adult cannot help but aspire to be like them. The unparalleled virtue of these heroes is impossible to attain in reality.

     The Lord of the Rings is admittedly a male-oriented story and female characters are sometimes sparse. While the women who do appear are beautiful, they are by no means damsels or feeble-minded. Tolkien's story can be enjoyed by all, whereas some newer fantasy such as Robert Jordan's The Wheel of Time is clearly for older teens or adults and only those who prefer to do all their reading within the genre.

     Tolkien used Frodo, a hobbit, as the main character and three of his hobbit friends, Merry, Pippin and Sam, in strong supporting roles. In the first chapter the hobbits are introduced as very childlike in stature and personality even in adulthood as Frodo has just reached. Tolkien's choice of the childlike Frodo as the main character makes the story appealing to both adult and child. Adults can enjoy the awe, wonder and innocence retained by Frodo that is usually dimmed by adulthood. Children can follow Frodo's simple logic and identify with his physical stature and the lack of serious attention given to him early on by the taller characters.

     As the story moves along, Frodo gains experience and maturity without becoming permanently hardened to the ups and downs of life. He earns the respect of the other characters, who now recognize the abilities and qualities of this pseudo-child. After he recovers from his extraordinary and draining adventure, Frodo retains much of his childlike awe and joy over new sights and experiences. This is a trait which has actually begun to rub off on his fellow companions.

     Through Frodo and to a lesser degree, Sam, Tolkien shows that the awe and joy experienced as a child should not be outgrown, but retained all through adulthood. At the beginning of their journey, the sight of Rivendell provokes exclamations by Frodo. Midway through the journey Sam is awed by Lathlorien. When their adventure is all but over, Frodo is giddy at the sight of Aragorn resplendent as a king with his elven queen.


Absolut Paradigm

           OtherWorld: Writings IndexOtherWorld Writings: Virtues of LotR Page 2

Copyright © 1999-2014; Scott Cummings, All Rights Reserved. Privacy Statement.